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Estadísticas de atalanta contra a.s. roma

Estadísticas de atalanta contra a.s. roma

Nos últimos 5 jogos, Hlinsko venceu 2, perdeu 3, com uma média de pontos por partida, pontos do oponente por jogo, Porcentagem de Vitórias Contra. FootballAnt provides the offensive and defensive statistics of both teams on the field of play during the game time, outputting a live updated offensive and. HFK Olomouc venceu 4, perdeu 0, com uma média de pontos por partida, pontos do oponente por jogo, Porcentagem de Vitórias Contra Atalanta BC vs AC.

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Rangers vs Sparta Praha Pronóstico y Alineaciones

Estadio: Ibrox Stadium. League Two 4. Exeter City. Rhys Murphy. The first new parameter is the average number of cuts per minute of the film CPM Estadísticas de atalanta contra a.s. roma, which may be easier for some users to imagine than the average shot length Estadísficas seconds.

Estadísticas de atalanta contra a.s. roma
Estadísticas de atalanta contra a.s. roma
Estadísticas de atalanta contra a.s. roma
Estadísticas de atalanta contra a.s. roma
Estadísticas de atalanta contra a.s. roma

I achieved those measurements by counting film shots by hand-clicker, processing the number of shots in particular software , or making a shot-by-shot analysis. To calculate the average shot length i. In my database, it is possible to find more than measurings of more or less contemporary films and television episodes from many countries. Besides the fact that you can find hundreds of ASL measurings of movies from the last decades here, the database is unique for at least three other reasons.

Secondly, it covers a large number of films from Eastern European countries. Thirdly, it consists of many entirely rare silent films from the s all around the world. Since I am updating the database regularly, it will continue growing more prominent.

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It is necessary to point out that very ASL values are not the final results of any research. Those values are meant to be used as tools for further analysis. For what kinds of research may ASL be used? In the case of a particular film, the very ASL value will help us get a rudimentary awareness of its editing pattern, but it will not tell much more.

On the other hand, by the force of ASL values or shot counts, we can gain a lot of various and inspiring suggestions for stylistic research in the case of groups of films. An acquaintance of ASL values can facilitate the juxtaposition of various film or television works of a period, region, genre, company, or particular filmmaker.

Estadísticas de atalanta contra a.s. roma

The mere fact that certain films of a particular director or period, region, company, genre, etc. That is because an identical or similar ASL value can be caused by a significantly different configuration of longer or shorter shots. However, it is worthwhile to consider the similarities in the case of relatively high and low ASL values — assessed against the background of the relevant norms.

Nevertheless, more remarkable and predictable is when we find out that certain films of a particular director or period, region, company, genre, etc. These different ASL values imply a notable variability of creative choices that filmmakers made. Since that, we can put forward many research questions. I believe that my database offers extensive and reliable background for such questions.

In I added two entirely new parameters to the database, offering slightly different quantitative perspectives and comparative options than the existing ones. The first new parameter is the average number of cuts per minute of the film CPM , which may be easier for some users to imagine than the average shot length in seconds.

Estadísticas de atalanta contra a.s. roma

The second, in my opinion, a much more important new parameter is the number of cuts per hour of the film CPH , which allows the detection of long-term trends and massive comparability.

I work with this parameter in two forms in my database: optimally a in the form of the exact number of cuts per the first hour of the measured film; and b in case I do not know this number, in the proportional number of cuts per hour of the film. The exact number of cuts per hour is noted in the database with precision per unit of shots and is based on my own measurement at a projection speed of 24fps. For the time being, I have decided to state the number of cuts per hour only for sound films because we can speak with certainty about the standardization of the projection speed in their case.

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